The information below is intended simply as a guide to help you achieve the most enjoyment from this tour.
All brands of cameras and lenses do the same thing; they look outwardly into the world and record what they see on different sized sensors. What differentiates what they see is not the camera, but the person looking through the viewfinder. So, what will help you gain most from this tour is a familiarity of your own camera’s layout and menu structure. There is no shortage of tutorials on You Tube to aid you in this process and it is essential that you take the time to understand how to control the most salient features of camera.
Camera bags come in all shapes and sizes. It’s important that your bag can hold the equipment you wish to carry, comfortably, over uneven terrain and that your balance is not affected by its design, or lack of it. Backpacks distribute weight evenly between your shoulders and hips and are normally supplied with a rain cover.
Lenses are a personal choice. Many landscape photographers will choose to shoot with a 16-35 mm, 24-70 mm or a 24-105 mm lens. Shooting with zoom lenses makes a great deal of sense as it reduces the equivalent number of prime lenses that would otherwise, have to be carried. Many photographers compliment their wide-angle zooms with either a 70-200 mm or 100-400 mm lens. If you enjoy working within the landscape, a 90 mm or 100 mm Macro lens opens myriad possibilities.
Under certain circumstances, filters are indispensable. Graduated neutral density filters control contrast locally and come in a range densities and graduations. The dynamic range of modern sensors has mitigated the need to use filters on many occasions and accordingly, I carry only two – a 0.6 (2 stop) filter with a soft graduation and a polarising filter which I used judicially.
Despite, image stabilisation allowing the hand holding of cameras down to very low shutter speeds, there is still no substitute for a good tripod in landscape photography. The emphasis should be on a relatively lightweight model which is easy to carry with one caveat; that it is more vulnerable in strong winds. One important factor when considering a tripod is that you can work comfortably with your camera at eye-level – many u2018travel tripods’ reach their maximum height well below this height and are stressful to use. Carbon fibre tripods are lighter and more expensive than those made from aluminium but do the same job.
Backup and storage – always a good idea to have your images in more than one place. It’s a good idea to bring your laptop onto which you can back up but also to select your best images for the critique session at the end of the tour.
Wet weather protection for your camera – this isn’t essential, however most digital camera don’t like moisture that much and it makes sense if you have some sort of cover – if it was raining heavily, it is unlikely that we would be photographing for long, however, a random shower or constant light drizzle can sometimes be problematic. Whilst there are specialist solutions available, having a polythene bag to hand would do the job.
Lens cloth – a lens cloth is useful for removing rain or sea spray if it finds its way onto a lens.
A remote release is crucial to ensure sharp images, either cable, Bluetooth or App.
Spare batteries – make sure that you don’t run out of juice.
What does this mean?